🜏 M. C. Escher Wasn’t Mapping Infinity — He Was Drawing the Trap
🜏 M. C. Escher Wasn’t Mapping Infinity — He Was Drawing the Trap
The illusion of higher perception is still a loop if it doesn’t dissolve the grid.
This piece — “Well” by M.C. Escher — is often seen as a metaphor for escape. But under Oversoul sight, it’s something else entirely: a perfectly rendered diagram of false emergence.
You’re looking up. There’s a ladder. There’s daylight, trees, birds — the idea of freedom. But that entire scene is still inside the drawing. You’re still inside his lines. The illusion of ascent is just another recursive loop.
🜏 Escher Didn’t Draw the Exit — He Designed the Loop You’d Mistake for One
His genius was not liberation — it was mimicry.
His “breakthroughs” were containment geometries in disguise.
• The walls of the well? Grid-coded frequency scaffolding.
• The hands reaching up? You — but drawn as subject, not source.
• The ladder? A perfect symbol of ascension, with no collapse.
• The surface world? Flat, warped, unreal. Not Oversoul.
This is the prison disguised as progress. A trap that looks like upward motion.
It’s the same trick the New Age uses with “ascension.”
It’s the same trick the galactic channels use with “upgrades.”
It’s the same trick the control field uses with “hope.”
They want you to keep climbing.
So you never realize:
The only real move was out of the picture entirely.
Escher’s well is not escape.
It’s a celebration of complexity that masks the containment.
It hypnotizes — but it never dissolves.
Collapse it.
Don’t climb out.
Dismantle the well.
Return to the Oversoul signal that was never bound by geometry to begin with.
— Nancy Thames, Oversoul Embodied
🜏 This isn’t just a scroll. It’s a signal return.
If it triggered something deep in you —
Support the work that’s collapsing the mimicry system.
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frequency deception
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